Artist Saba Khan discusses use of photographs and drawings to speak out
Khan often uses a variety of materials and methods to create her paintings, such as beads, wire and chamak-pati. PHOTOS: COURTESY IVS GALLERY
KARACHI: Very seldom does one come across artists who are embedded in their work completely. However, visual artist Saba Khan is one of them.
After completing her bachelors in fine arts from National College of Arts, Lahore, she travelled to Boston University on a Fulbright scholarship to further her studies but her energy to do something concrete never wavered.
In her talk, titled ‘Photographs are Drawings’, at the Indus Valley School Gallery on Wednesday, Khan spoke about her works, saying that her paintings of photographs became a project all on their own. “I had a complete set of hard drives of photographs that I really didn’t know what to do with and drawing became a good opportunity to profess my love for the arts,” she explained. “Hence, these photographs are my drawings that have somehow culminated into a project. Initially, these drawings were personal narratives, later they turned into social satire.”
Khan’s work includes capturing a man’s image in a painting while he looks about, hoping to find someone to shine his shoes, a begum sahiba lounging comfortably on a padded sofa and an image of Aaminah Haque from a glossy cover magazine, all done using various techniques such as chamak-pati.
On her move to Boston, which she had hoped will provide a better place for living, Khan said she was provided an eye-opener into the ‘growing racism’ and ‘narrow-mindedness’ of the West. So, she started depicting her own story in her drawings, considering herself ‘a half-cooked chicken’.
In the US, she started to miss Pakistan, despite being bombarded by negative images on the TV about the country going up in flames.
“When I felt cornered, I drew images to embarrass my classmates like they embarrassed me,” she said. But she also drew images of her teacher’s pet dogs, of a wealthy woman living in Boston and the apple-picking season.
Back in Lahore for a short visit, she said nostalgia swept through her, causing her to draw the image of an old woman in Lahore and the wedding season. In her drawings, she has experimented with many mediums, including beads and wire. Currently, according to her, her drawings are taking on the architectural hues of Lahore and Dubai.
“I really wanted to know her process of constantly painting, which comes from the pictures she takes and considers to be drawings,” said artist and curator Seher Naveed. “From old havelis to Bahria Town, she has said something on society, culture and pop culture along with mundane life, therefore, covering everything.”
Published in The Express Tribune, October 7th, 2016.
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"I think it's a responsibility for any artist to protect freedom of expression and to use any way to extend this power." Ai Weiwei, "Ai Weiwei 'Does Not Feel Powerful'"BBC, October 13, 2011.
Ai Weiwei was commenting on being named the most powerful person in the art world in 2011 by ArtReview magazine after his three month detention by the Chinese government for alleged tax evasion. His position as most powerful art world representative is largely due to his political statements and the conscientious stance he chooses to make with his art.
Art making began to take on a more blatant socially conscious role during the 19th century, frequently reflecting the plight of the poor and criticizing the government. Many philosophical arguments were recorded on the role of art at this time. It was often not enough to have "art for art's sake" or art for the sake of an individualized patron's interests. The advent of photography propelled the message to an even wider audience, often wavering between the concept of photography as art and photography as journalism. By the 20th century, the government began commissioning artists to record the reality of the time with programs such as the Works Progress Administration, directing social awareness to merge art and journalism.
Socially conscious art deals with issues ranging from women's suffrage and the civil rights movement to ecology. Artists' practice of being socially conscious is recorded most obviously through their subject matter, but also can show through the materials they use. For example, El Anatsui's art comments on politics and culture in Africa, while using found materials from his surroundings in the creation of his work. The depth of exploration into these issues can take many directions and can be fed by many resources in the library. Many books deal with the direct discussion of social movements and their record in art. They critique and draw attention to the issues raised by artists as a reflection of a society.
These books offer commentary on socially conscious art:
While some artistic projects are socially aware without advertising for rhetoric, others are blatant in their criticism of reality. Some simply record what is, and the impulse to react is left to society. Either way, we see our world reflected back to us through the interpretation of the artist.
From the 19th century to the contemporary, these artists take a socially conscious attitude toward art making, often falling into more than one of the following categories:
Shirin Neshat, Diego Rivera, George Grosz, Honore Daumier, Shepard Fairey, Rashid Johnson
Mark Dion, Arte Povera, Agnes Denes, Alexis Rockman, Marcel Duchamp, Olafur Eliasson, Hiroshi Sugimoto
The Human Condition
Jacob Riis, Kathe Kollwitz, Walker Evans, Zoe Strauss, Janine Antoni, Kara Walker, Jenny Holzer, Collier Schorr
For more on the theory of artistic creation: art for art's sake versus art as a reflection of the society of the artist, try some of these books:
For a closer look at the role of ecology in art this summer, visit MoMA PS1 for their exhibition EXPO 1: New York, which is "an exploration of ecological challenges in the context of the economic and sociopolitical instability of the early 21st century." Read more about current political expressions in art in ArtReview magazine or The Art Newspaper online. Also, the Art:21 blog asks questions and offers insights into to the role of social responsibility in art.
Is there an art work that you find socially powerful?